A book-lover's dream house

Prismacolor colored pencil on Stonehenge paper,  5.5" x 8"

(click to enlarge)

Sometimes an image niggles around in my brain until I just have to get it on paper. I've been sketching this little book house, in one form or another, or sometime. When I started to get serious about this drawing last month, I quickly reverted back to my old architectural drafting days. (It may seem like overkill for a little sketch like this, but when the perspective isn't right in a drawing, I find it really distracting.) I initially thought about making a linocut of this, and I still might.

I couldn't quite decide where each "layer" of the main color would fall, so I played around with blocks of color digitally as a bit of a short cut before applying lots of color to my drawing.

Working on this cozy little piece during the stressful presidential election was the artistic version of eating comfort food. I felt the influence of two of my favorite illustrators: I have been looking at the recent work of Jungho Lee a lot lately, and was certainly inspired by the color palette and dreamy quality of his fantasy book world. The soft pencil lines and hatching were Brian Selznick-inspired, as is the fact that it seems to want to tell its own little story.

So, I may have to listen a little more closely to see what story it is trying to tell, maybe I'll find out who is inside the house and why...!  Any ideas?

H is for...

In one of life's amusing little coincidences, I'm working on this linocut block...

...and I'm reading this book.

Hidatsa Shield Figure Beans

Prismacolor colored pencil on Strathmore charcoal paper, "Golden Brown"

One of my Christmas presents from my daughter was a fabulous selection of vegetable garden seeds from the Seed Savers Exchange. (If you're into gardening, you must check out their website; you can also order one of these catalogs that I just received—isn't that cover gorgeous?)

Among my seeds was this packet of Hidatsa Shield Figure Beans. That name had me intrigued right off the bat, and the photo on the front of the packet sealed the deal. So, I did a little bit of research: The markings on the beans are supposedly reminiscent of the painted shields of the Hidatsa tribe who raised corn, squash, beans, and sunflowers in the Missouri River Valley of North Dakota. I looked for an image that supported this theory, but didn't see anything strikingly similar, but I'll keep sleuthing. Shield Figure beans are described in the fascinating Buffalo Bird Woman’s Garden (1987) which you can read more about here.

As for my drawing, it was lots of fun, but I'd forgotten that the charcoal paper needs a lighter touch than I gave it, I'm afraid. Here's how I set up my little "models" on my drawing table. I just stuck them on a piece of foam core with this Quake-Hold museum putty that I use all of the time when positioning the things that I'm drawing. (And yes, when you live in earthquake country, you do also use this stuff to secure valuables in case of The Big One.)

While working on this drawing, I had to get out one of my favorite picture books, the exquisite A Seed is Sleepy. Sylvia Long's amazing illustrations could keep my entertained for hours. They've also collaborated on A Butterfly is Patient, A Rock is Lively, and the stunningly beautiful, An Egg is Quiet. I simply adore these books.

Well, it's getting warmer here in the Bay Area, but we're experiencing quite a drought this winter (this is our rainy season); the plants in my yard don't know what season it is. Here's hoping that Mother Nature gets some rain on its way in time to set the scene for my seed planting!

Update: I've just realized that this week's topic on Illustration Friday is "beginning". What's more of a beginning than some seeds? (Okay, we could get into the which-came-first conundrum but we won't...)

Life drawing Meet-up: Week 2

Charcoal on newsprint, 15 minute pose

At Week 2 of my Life-drawing Meet-up, there was some discussion among the "regulars" of a book called, The Undressed Art: Why We Draw by Peter Steinhart. It sounds fascinating to me, especially after I came home and read this 2004 NY Times review. I reserved the book at the library and will keep you posted as I read it. 

What does compel us to draw, especially in today's digital world?

For me, it just feels like pure creativity, whether or not the end product is ever seen by another set of eyes. Drawing is, at the very least, wonderfully distracting and escapist, and there are days when it feels downright healing. 

Drawing is usually a solo, intimate activity, so it's interesting to me when a group draws together. In this group, we chat during breaks, but once the pose starts, all you hear is the scraping of charcoal and pencils on paper (what a great sound!) and the background music. Some people retreat to their earphones and iPods, others—like me—just stay unplugged, but we're all completely engrossed in drawing.

Our model was, once again, very good. I love that she wasn't the body type that is heralded in the media as being ideal; she had ample hips (much more fun to draw than thin ones, frankly) with a smaller torso. One of the other artists mentioned that she was reminiscent of someone in a work by Ingres (one of my favorite artists) which was so true! My proportions are a bit off, but here is the long pose for the day. Unlike last week, I bravely attempted drawing the model's face this time ...well, kinda sorta:

Charcoal and graphite on newsprint, 60 minute pose

So, tell me, why do you draw?

Old Books

Prismacolor colored pencil on Strathmore Charcoal paper. "Pottery Green"

“It is a good rule after reading a new book, 
never to allow yourself another new one till you have read an old one in between.” 

— C.S. Lewis

I love old books, so when I saw this week's topic on Illustration Friday, "worn", I had to look no further than the bookshelf next to my desk. I've always liked how these four looked together, in their green and blue covers. I might have gone overboard using the grey-green paper, but I like how their faded covers sort of fade into the paper.

I've drawn books before (here) and I always have a grand time doing them. I've thought about doing a series, but I'm a big fan of artist Jane Mount's book series, and worry that I'm not being original—not that my work is all that similar to hers. I guess it's time to re-read this wonderful little book that I have,  Steal Like an Artist by Austin Kleon. It's enlightening, inspiring, and great fun to read.

Speaking of books, I mentioned in a recent post that I'm going to visit the home of Beatrix Potter on my upcoming trip to England. Well, in my travel planning, I somehow neglected to see that her house isn't open on Fridays...the day I'll be there. Grrr. I tried to console myself with the fact that there will be a smaller crowd and I can still see the outside and the gardens. But what really cheered me up was the fact that, a few minutes later, I got the last online reservation for one of the infrequent tours of the Bodleian Library at Oxford, and the tour includes going into the not-usually open-to-the public Radcliffe Camera.  (I'm such a library geek.) And when I read the description of the exhibition that's on while I'm there, I forgot all about Beatrix and her not-open-on Fridays abode. Check out the amazing exhibition here.

I'll be back home on July 13, so I hope to give you a full report!