Friday, November 22, 2013

Life drawing Meet-up: Week 1

As I mentioned in my last post; I've just started attending a weekly life-drawing group that I found through It's been years since I've done any figure drawing, but back in college, I did quite a lot of it—and loved it. I was so excited to buy a big, fat pad of newsprint and get out my various charcoals, conte crayons and such.

Here's what I took:

And here's what I actually ended up using:

We had a wonderful model; her 1-minute warm-up poses were very dancer-like. When she took breaks during the hour-long pose, she marked her placement with little bits of tape, and was amazingly good at re-positioning herself. The pose at the top of this post was a 15-minute pose, and is my favorite of the day. (Drawings on 18 x 24 newsprint are a little bit challenging to photograph, but you get the idea...)

The 60+ minute pose (below) is a little overworked in places, and the chest area looks a bit too boyish, but I do like how the leg area turned out. Oh, and can you tell that my weakness is drawing faces? (Maybe I should be taking a portraiture class.) I feel that when I draw a so-so face on an otherwise acceptable drawing, the so-so face is all you notice. So I left this one blank (and, of course, it's all you notice!). Next week I'll practice shading in at least the basic planes of the facial structure.

My main goal for this first session (besides having fun) was to try and at least get the body proportions right, and I felt pretty good about achieving that, for the most part—and I definitely had fun. The ten 1-minute warm-up drawings (below) are such a great way to start; they really do help to sweep away those brain cobwebs and get focused.

The one thing I miss from a class with instruction is having a group critique. And you don't really get to see others' work unless you walk by during  break, etc. But those are very minor complaints. The "regulars" were very welcoming to the two of us that were newbies. There were six of us drawing, and  the cozy studio had lots of natural light—is there a better way to spend an autumn morning?


  1. Try to put the basic features of the face in: eyes,nose and mouth. Don't worry about a will take your work into another level, good luck!

  2. Some lovely drawings. Life study isn't really about the face, is it? But I suppose that the ideal is to treat the face the same way as you do the rest of the body - those, quick, sure marks that suggest as much as describe.

  3. Looks to me like further proof that you draw so very well, Sarah!